Gather Together in My Name (1974) is a memoir by American writer and poet Maya Angelou.
The book begins immediately following the events described in I Know Why the Caged Bird Sings, and follows Angelou, called Rita, from the ages of 17 to 19.
Angelou continues to discuss racism in Gather Together, but moves from speaking for all Black women to describing how one young woman dealt with it.
Like many of Angelou's autobiographies, Gather Together is concerned with Angelou's on-going self-education.
Gather Together was not as critically acclaimed as Angelou's first autobiography, but received mostly positive reviews and was recognized as being better written than its predecessor.
Gather Together in My Name, published in 1974, is Maya Angelou's second book in her series of seven autobiographies.
Critic Selwyn R. Cudjoe agrees: "The incidents in the book appear merely gathered together in the name of Maya Angelou" .
Angelou, still known as "Marguerite", or "Rita", has just given birth to her son Clyde, and is living with her mother and stepfather in San Francisco.
Beginning in Gather Together, motherhood and family issues are important themes throughout Angelou's autobiographies.
Critic Mary Jane Lupton states that "one gets a strong sense throughout Gather Together of [Rita's] dependence on her mother".
Angelou's relationship with her mother becomes more important in Gather Together and Vivian is now more influential in the development of Angelou's attitudes.
According to Glazier, Angelou's use of understatement, self-mockery, humor, and irony, readers of Gather Together and the rest of Angelou's autobiographies cause readers to wonder what she left out and unsure about how to respond to the events Angelou describes.
Angelou chooses to demonstrate Rita's narcissism in Gather Together by dropping the conventional forms of autobiography, which has a beginning, middle, and end.
In Caged Bird, despite trauma and parental rejection, Rita's world is relatively secure, but the adolescent young woman in Gather Together experiences the dissolution of her relationships many times.
Lauret agrees with other scholars that Angelou reconstructs the Black woman's image throughout her autobiographies, and that Angelou uses her many roles, incarnations, and identities in her books to "signify multiple layers of oppression and personal history".