Examples

🤖🔍

Detect AI Generated Text

inputs

AI Text Classifier

The AI Text Classifier is a fine-tuned GPT model that predicts how likely it is that a piece of text was generated by AI from a variety of sources, such as ChatGPT.

This classifier is available as a tool to spark discussions on AI literacy. For more information on ChatGPT's capabilities, limitations, and considerations in educational settings, please visit this page.

Current limitations:

Requires a minimum of 1,000 characters, which is approximately 150 - 250 words.
    The classifier isn't always accurate; it can mislabel both AI-generated and human-written text.
    AI-generated text can be edited easily to evade the classifier.
    The classifier is likely to get things wrong on text written by children and on text not in English, because it was primarily trained on English content written by adults.

Try the classifier

To get started, choose an example below or paste the text you'd like to check. Be sure you have appropriate rights to the text you're pasting.

outputs

inputs

In Aldous Huxley's novel "Brave New World," Mustapha Mond is portrayed as a powerful and mysterious figure. The novel depicts a dystopian society in which the government, led by Mond, maintains strict control over its citizens through the use of advanced technology and manipulation of emotions. Despite this, I argue that Mond should be viewed positively for three key reasons: his efforts to maintain stability in society, his recognition of the limitations of happiness, and his belief in individual freedom.

Firstly, Mond's role as World Controller is to maintain stability in society. He recognizes that in order for society to function, there must be a balance between individual desires and the needs of the community. He also understands that in order to maintain this balance, it is necessary to control certain aspects of society, such as the use of technology and the manipulation of emotions. This is evident in his decision to ban literature, which he believes will cause dissent and disrupt the stability of society. In this way, Mond can be seen as a pragmatic leader who is willing to make difficult decisions for the greater good.

Secondly, Mond recognizes the limitations of happiness. In the novel, the government encourages the citizens to pursue pleasure and happiness at all times, but Mond understands that this is not a sustainable or fulfilling way of life. He acknowledges that true happiness cannot be found through constant pleasure and that individuals need to find meaning and purpose in their lives. This is evident in his statement, "ending is better than mending. The more stitches, the less riches." This quote shows that Mond recognizes that true happiness cannot be found in constant pleasure, but rather in finding meaning in one's life.

Lastly, Mond believes in individual freedom. Despite his role in controlling society, he recognizes that individuals have the right to make their own choices and live their lives as they see fit. This is evident in his decision to provide a reservation for those who do not want to conform to the rules of society. This shows that Mond understands that individuals should have the freedom to live their lives as they choose, even if it means going against the norms of society.

In conclusion, Mustapha Mond, the World Controller in Aldous Huxley's "Brave New World," should be viewed positively for his efforts to maintain stability in society, his recognition of the limitations of happiness and his belief in individual freedom. Although his methods are controversial, they are necessary to maintain the balance of society. His recognition of the limitations of happiness and his belief in individual freedom also show that he is a nuanced and thoughtful leader who understands the complexity of human nature.

outputs

inputs

All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, “Oh, why can’t you remain like this for ever!” This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.

Of course they lived at 14, and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.

The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.

Mr. Darling used to boast to Wendy that her mother not only loved him but respected him. He was one of those deep ones who know about stocks and shares. Of course no one really knows, but he quite seemed to know, and he often said stocks were up and shares were down in a way that would have made any woman respect him.

outputs